In the second half of the 19th century emerged as the center of
Pekalongan is the most important production of batik European and
Indo-European, known as batik Netherlands. There are a number of important
changes that are initiated by the designers that resulted in new unique design
format of Pekalongan, buketan-large and complex bouquet of flowers from Europe
comes the flowers in the Body (the body or main areas of batik cloth) and for
one, a flower Head Surung.Design of the bouquet (buketan), has been celebrated
as typical batik Pasisirakal ever. Around 1900, the design of a large bouquet
of flowers surrounded by butterflies and birds are often depicted on a plain
background. This style becomes fashion is most important for European and
Indo-European. This is the work of batik tulis outstanding craftsmanship
displays a surprising palette of up to seven colors and cant work very fine
detail. The works are greatly appreciated by the rich and have a link the
Netherlands communicated that way.
In 1845 the first European batik workshop opened by Carolina von
Franquemont, at the age of 23. His Workshop is on the slopes of the volcanic
Mount Ungaran, near Semarang Ungaran River.
In the 1870s when the colonial economy became accessible to
non-government commercial initiatives, the Netherlands and other Indo-European
batik workshops followed.
Indo-European highly successful designer in Pekalongan including
Metzelaar Lien, AJF Jans and the van is best known and most influential works,
Zuylen from late 19th century until 1940s. the practice of signing of batik
into vogue among Indo-Europeans during the 1860s in Pekalongan. signature shows
the origin of the workshop and emphasized the quality and originality of the
work.
Postingan
